Parallel Lines: 9/11 and American Film (London: Wallflower Press, 2014)
Oxford Dictionary of Film Studies, co-authored with Annette Kuhn (Oxford: Oxford University Press, 2012).
War Cinema: Hollywood on the Front Line (Wallflower Press, 2006).
'In country: narrating the Iraq War in US cinema', in A Companion to the Historical Film (Wiley-Blackwell, 2012).
'Regarding the pain of others: scenarios of obligation in post-9/11 US cinema', Journal of American Studies, vol.45, no.4 (2011), pp.815â€“834.
'Accidental Napalm Attack and hegemonic visions of America's war in Vietnam', Critical Studies in Media Communication, vol.28, no.5 (2011), pp.407-423.
'In country: mapping the Iraq war in recent Hollywood combat movies' in Screens of Terror: Representations of War and Terrorism in Film and Television Since 9/11 (Abramis Academic, 2011), pp.19-37.
'One image begets another: a comparative analysis of Flag-raising on Iwo Jima and Ground Zero Spirit', Journal of War and Culture Studies, vol.1, no.3 (2008), pp.325-40.
˜The domestic vision of Vietnam Home Movies" in Image as Witness: Trauma, Memory and Visual Culture (Wallflower Press, 2007), pp.143-159.
˜Critical approaches to the history film“ a field in search of a methodology' in Rethinking History, vol.11, no.4 (2007), pp.577-588.
I am the editor of the Mapping Contemporary Cinema website, a student writing project, which publishes in-depth accounts of contemporary US, German and British films, as well as shorter editorials on a range of different themes.