Dr Guy Westwell, BA, MPhil, PhD
Senior Lecturer in Film Studies
I am a graduate of Keele University (BA Hons) and the University of Glasgow (MPhil, PhD). I joined Queen Mary in 2006. My research focuses on the war film and antiwar film, film and politics, film and cultural memory, 9/11 and film, and iconic photographs and film. I welcome applications from students interested in pursuing doctoral research in any of these areas. At undergraduate level I teach FLM4200 Concepts and History, FLM308 Contemporary Hollywood Cinema, and FLM603 Mapping Contemporary Cinema. At postgraduate level I teach on the MA core course and deliver the optional module 9/11 and American Film. I was the recipient of Drapers' Award for excellence in teaching in 2009.
I am the editor of the Mapping Contemporary Cinema website, a student writing project, which publishes in-depth accounts of contemporary US, German, French and Russian British films, as well as short guides on a range of different themes.
FLM4200 Concepts and History
FLM308 Contemporary Hollywood
FLM603 Mapping Contemporary Cinema
FLM6202 UG dissertation module
MA Film Studies core course
Parallel Lines: 9/11 and American Film (London: Wallflower Press, 2014)
Oxford Dictionary of Film Studies, co-authored with Annette Kuhn (Oxford: Oxford University Press, 2012).
War Cinema: Hollywood on the Front Line (Wallflower Press, 2006).
'Acts of Redemption and ‘The Falling Man’ Photograph in Post-9/11 US Cinema', in American Cinema in the Shadow of 9/11 (Edinburgh, Edinburgh University Press, 2016), pp.67-88.
'In country: narrating the Iraq War in US cinema', in A Companion to the Historical Film (Wiley-Blackwell, 2012).
'Regarding the pain of others: scenarios of obligation in post-9/11 US cinema', Journal of American Studies, vol.45, no.4 (2011), pp.815-834.
'Accidental Napalm Attack and hegemonic visions of America's war in Vietnam', Critical Studies in Media Communication, vol.28, no.5 (2011), pp.407-423.
'In country: mapping the Iraq war in recent Hollywood combat movies' in Screens of Terror: Representations of War and Terrorism in Film and Television Since 9/11 (Abramis Academic, 2011), pp.19-37.
'One image begets another: a comparative analysis of Flag-raising on Iwo Jima and Ground Zero Spirit', Journal of War and Culture Studies, vol.1, no.3 (2008), pp.325-40.
˜The domestic vision of Vietnam Home Movies" in Image as Witness: Trauma, Memory and Visual Culture (Wallflower Press, 2007), pp.143-159.
See also my Queen Mary Research publications page: http://www.researchpublications.qmul.ac.uk/publications/staff/19493.html